(http://www.sacbee.com) - STOCKTON -- Most evenings, Stockton's Little Manila bustled. Dance halls hopped. Barbershops buzzed with the banter of young Filipino men, the picture of prosperity in suits and fedoras.
Pool halls crackled with excitement. Card rooms packed them in. Hotels filled with men seeking respite from the crowded barracks in the farm camps and asparagus fields outside town.
Little Manila was roaring.
"There was a pool hall on every block, a barbershop at every corner," said Albert Juanitas, 77, whose father was among the first Filipinos to settle the Central Valley. "There were lots of people hanging out in the street. They'd come dancing. They used to gamble in the basements."
For four decades, beginning in the late 1920s, Little Manila was the center of Filipino life in the Central Valley, its hub at the intersection of El Dorado and Lafayette streets, now on the southern fringe of downtown Stockton.
In May, a 30-minute documentary on KVIE-TV -- "Little Manila: Filipinos in California's Heartland" -- pays homage to Little Manila and the life that was for the manongs -- the term of endearment used by Filipino Americans to describe the forebears who began arriving from across the Pacific a century ago to work in the plantations and canneries of Hawaii, then later to the fields and orchards of California.
Their stories -- of perseverance, ambition, racism and triumphs -- shouldn't be forgotten, said Marissa Aroy, a U.S.-born Filipina from Bakersfield who produced the program.
"No one's telling their story," she said. "They're the ones who sacrificed, who left their families behind" for work in America.
"All these men went to Little Manila just to have fun, to forget about their hardships and their loneliness," said Aroy.
These days, few of the old buildings remain. Some made way for a handful of new businesses. The McArthur Hotel was razed for a fast-food restaurant.
Over the years, others were declared as blight, then demolished. Many parcels remain vacant because of redevelopment battles and unfulfilled ambitions.
Disappearing history
Little Manila's struggles, perhaps, are emblematic of the greater challenges facing the Filipino American community.
Despite being the country's second-largest Asian group, the Filipino community has largely remained invisible, its history at risk of being forgotten, said Dillon Delvo, a filmmaker and director of the Little Manila Foundation. The group hopes to preserve the district's few remaining historical buildings.
"It's one thing to read about history. But it's something else to feel it, to touch it, to have a direct connection to it," said Delvo.
The city designated four blocks as a historic district in 2000, but with no promises of protection. Still, it was hailed by Delvo as important recognition for the preservation movement.
For some communities, it's too late. San Francisco's Manilatown vanished, its 10-block expanse alongside Chinatown fading into the shadows of the financial district's skyscrapers and downtown redevelopment. The Kearny Street corridor had been home to thousands of Filipinos.
In Stockton, the Little Manila Foundation wants to save three buildings in the core of the neighborhood. The foundation bought the Mariposa Hotel, where Filipino farmworkers mapped strategy for some of the state's earliest labor strikes. The foundation has plans for restoring the hotel -- perhaps transforming it into a cultural center -- but has struggled to obtain financial backing.
A vestige of the Rizal Social Club remains, its dance floor empty, its windows boarded, its stuccoed facade wrinkled by peeling paint. The hip-hop group Black Eyed Peas, which counts a Filipino American among its members, used the dance hall as the setting for a video in 2006 to spotlight Little Manila's plight.
The Filipino American National Historical Society, which has a branch in Stockton, wants to establish a museum in one of the historic buildings.
Much of the district is already lost. The Crosstown Freeway, linking Interstate 5 and Highway 99, cut a swath through the district -- uprooting families and adding to the Filipino diaspora.
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